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论张大千绘画中“光”语言的嬗变 被引量:1

On the Evolution of the "Light" Language in Zhang Daqian' s Paintings
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摘要 国画大师张大千一生植根于传统,但又不断创新,勇于创新。张大千绘画的创新不止是笔墨与色彩的解放,更是探索和发展绘画新语言在中国画中的应用。他从早年开始关注绘画艺术中的"光"语言,一直探索和发展"光"在中国传统绘画中的表现形式,晚年开创墨色酣畅、光雾烟霭、气韵生动的泼墨泼彩画,实现了中国传统绘画的伟大革新。 The traditional Chinese painting master Zhang Daqian rooted his life in traditions, but never stopped innovating and creating. His innovations are not only the liberation of the ink and color in the paintings, but also the exploration and development of new painting language to the traditional Chinese painting. He began to focus on the "light" language in the art of painting from the early years, and had been exploring and developing the performance forms of "light" language in the traditional Chinese painting. In his later years, he created the splash-ink and splash-color painting, which is a great innovation of the traditional Chinese painting.
作者 王平
出处 《成都电子机械高等专科学校学报》 2011年第3期58-61,共4页 Journal of Chengdu Electromechanical College
基金 四川省教育厅人文社会科学(四川张大千研究中心)青年项目"张大千绘画中的‘光’语言研究("ZDQ2010-14)
关键词 张大千 “光”语言 具象光 意象光 泼墨泼彩 Zhang Daqian the "light" language concrete light imagery light splash ink and splash color
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  • 1包立民.张大千[M].武汉:湖北美术出版社,2003.187.
  • 2张大干.画说[G]//邵琦,孙海燕.二十世纪中国画讨论集.上海:上海书画出版社,2008:132.
  • 3刘振宇.清道人画像及张大千的素描作品[J].收藏家,2005(8):3-9. 被引量:3
  • 4张心智.从银川举办我父亲张大千的画展谈起[G].宁夏回族自治区政协文史研究委员会.张大千的生平与艺术.北京:中国文史出版社,1988.38.

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