摘要
首先,杜威美学有寻求连续性、回归日常生活的基本立场,其中包括恢复艺术品的经验与日常生活经验之间的连续性,高雅艺术与通俗艺术的连续性,以及美的艺术与实用的或技术的艺术之间的连续性。其次,杜威美学与他的一元论经验哲学有着密切的联系,在此基础上,他提出了"艺术即经验"的基本命题。最后,对杜威美学的这些基本观点进行反思,指出其中逻辑和概念的失当之处。
This paper firstly discusses Dewey's effort to search for the continuities and the return to daily life. He resumes the continuity between the experience of art and that of daily life, the elite art and popular art, and the fine arts and crafts. It also elaborates the close connection between Deweyian Aesthetics and his Monism of empirical philosophy, on the basis of which he proposes the proposition of "Art as Experience". Finally the paper points out the conceptual and logical defects in his basic conceptions.
出处
《西安建筑科技大学学报(社会科学版)》
2011年第4期66-70,共5页
Journal of Xi'an University of Architecture & Technology(Social Science Edition)
关键词
连续性
一个经验
审美经验
艺术
continuity
an experience
aesthetic experience
art