江西诗派的形式美论

The Formalist Aesthetics of Jiangxi Poetic School

隋唐宋金元时期,尽管儒家道德美学覆盖了整个诗文美学领域,但仍有一条形式主义倾向的美学线索在延续和发展。江西诗派的形式美论就是其中的代表之一。黄庭坚的"点铁成金"、"夺胎换骨"说开其端,吕本中的"活法"论继其踵,杨万里的"意味"及"余意"、"余味"说承其绪,姜夔的"法度"论及"余意"、"余味"说封其后。他们以与诗歌内容相联系的方式,探讨了诗歌获取审美意味的形式规律和技巧,为形式诗学做出了一份独特的贡献。

From the Sui dynasty to the Yuan dynasty,though the aesthetics of Confucian ethics was dominant,there existed another formalist aesthetic trend represented by the formalist aesthetics of Jiangxi Poetic School whose representatives were Huang Tingjian,LV Benzhong,Yang Wanli,and Jiang Kui with their own theories and contributions.