魂兮有句重吟否,谢朓山孤月转坳——谢朓在宋代的接受

The Acceptance of Xie Tiao in the Song Dynasty

谢脁在宋代逐渐变成一个被称引的符号——山水诗人和宣城太守吏隐形象。一些谢脁生活或者吟咏过的地方在宋代已经积淀为独到的风景,如澄江亭、绮霞阁、列岫亭等。宋人对谢脁的接受主要是山水诗人的角色。本时期不像唐人对谢朓诗歌"清"之大力称赞模拟,而是从诗句称引中不断翻新,力求另辟蹊径。宋人对谢朓吏隐人生态度的接受较唐人更直白更成熟,人们看到了远离尘嚣的清净与自然,忽略了吏隐之吏,多强调吏隐之隐。在唐宋诗人眩目地光芒下,谢脁之所以还受人关注,首先是李白对他的推崇促进了人们的接受,而且陶渊明在宋代的接受高潮也推助了谢脁的接受,二者的诗歌创作和人生态度某种程度上有一致的地方。梅尧臣、杨万里等时人对谢脁的推崇,对其在宋代的接受也有一定的促进作用。

In the Song Dynasty,Xie Tiao had gradually become a symbol——a landscape poet and an image of official hermit of Xuancheng.People in the Song Dynasty accepted Xie Tiao as a landscape poet.It is known to all that people in the Tang Dynasty sang the praises of the ＂pureness and freshness＂ in Xie Tiao＇s poems.But people in the Song Dynasty like to appreciate Xie Tiaos poems from new perspectives,trying to find something new between the lines.Because Li Bai,Tao Yuan Ming,Mei Yaochen and Yang Wan li had the greatest esteem for Xie Tiao,his poems were well accepted in the Song Dynasty.