1James Naremore,"Authorhsip", in A Companion to Film Theory, edited by Toby Miller and Robert Slam, Oxford: Blackwell, 2004, p. 17.
2Andrew Sarris,"Auteurism is Alive and Well and Living in Argentina", Film Comment, Vol.26, No. 1 (1990), p. 19.
3Timothy Corrigan,"Auteurs and the New Hollywood", in Film Theory: Critical Concepts in Media and Cultural Studies, Vol.2, edited by Philip Simpson, Andrew Utterson and K. J. Shepherdson, London: Routledge, 2004, p.82.
4Donald E. Staples,"The Auteur Theory Reexamined", in Cinema Journal, Vol. 6 (1966-1967), p.1.
5James Naremore,"Authorhsip", in A Companion to Film Theory, edited by Toby Miller and Robert Stam, Oxford: Blackwell, 2004, p. 11.
6Robert Stare, Reflexivity in Film and Literature: From Don Quixote to Jean-Luc Godard, New York: Columbia University Press, 1992, p. 19.
7Francois Truffaut,"A Certain Tendency of the French Cinema", in Movies and Methods, Vol. 1, edited by Bill Nichols, Berkeley: University of California Press, 1976, p.224-237.
8Donald E. Staples,"The Auteur Theory Reexamined", in Cinema Journal, Vol. 6 (1966-1967), p.2-3.
9David Bordwell and Kristin Thompson, Film Art: An Introduction, Boston: McGraw Hill, 2008, p.461.
10Edward Buscombe, "Ideas of Authorship", in Theories of Authorship: A Reader, edited by John Caughie, London: Routledge, 1981. p.24.
