摘要
接受美学是20世纪60年代德国康士坦茨学派创建的一种新的文学理论。姚斯和伊瑟尔作为其主要理论代表,都将视野从作者——文本转向了读者——文本,认为文学文本是作家创作的一系列符号的堆积,即"第一文本",只有经过读者阅读的文本才显现为文学作品,也即"第二文本"。当然,文学作品是读者与文本交互对话中产生的。在此理论视阈下,以读者为中心对文学作品与文学文本的解释,具有里程碑式的方法论革新意义。
Reception Aesthetic is a new literary theory which had created by the Constance Schools in German in 1960s.Hans Robert Jauss and Wolfgang Iser are two representatives of the new theory who changed the focus of literary work from the writer-text to the reader-text.They think that literary texts are a series of symbols created by the writer and only after the readers finished reading them,can they be called the literary works.Of course,the literary works would be created between the readers and the texts.According to this theory,the paper explains the relations between literary works and literary texts which has a methodological significance.
出处
《鸡西大学学报(综合版)》
2011年第10期98-99,共2页
JOurnal of Jixi University:comprehensive Edition
关键词
接受美学
文学作品
文学文本
reception aesthetic
literary works
literary texts