“整理国故”与郭绍虞《中国文学批评史》

"Systemization of national heritage" and Guo Shao-yu's History of Chinese Literary Criticism

郭绍虞的《中国文学批评史》在思想观念和研究方法上都是"整理国故"思潮的具体实践。郭绍虞"在古人的理论中间,保存古人的面目"的研究范式遵循了"整理国故"的"科学"方法和"求真"精神;他对中国诗学范畴的辨析、对文学批评史学科的史料学建设和诗话研究,与"整理国故"运用新观念、新思想积极改造传统文化的态度也是相一致的。但郭绍虞又超越了一般意义上的"整理国故",注意恢复和发现古人的言外之意,因而显现为一种创造性还原。

Guo hao-yu＇s History of Chinese Literary Criticism is the concrete practice of the thoughts of ＂systemization of national heritage＂ in both the ideological concept and the research methodology.He follows the scientific method of ＂systemization of national heritage＂ and sticks to the spirit of ＂seeking the truth＂ in his research mode,that is,＂to preserve the ancients＇ true colors while studying their theories＂.His research method corresponds to the application of new concepts and new ideas adopted by ＂systemization of national heritage＂ to the energetic renovation of traditional culture in his discrimination of Chinese poetics categories,the construction of historical materials in the literary criticism discipline and poetical criticism;however,going far beyond the general sense of ＂systemization of national heritage＂,Guo attaches great importance to recover and identify the ancients＇ implied meaning,which appears to be his creative recovery.