从《中山狼》剧本的改编看建国初期的戏曲改革运动

On the Drama Reform in the Early Days of New China with the Adaptation of "The Zhongshan Wolf"

建国初期的戏曲改革运动,极大地推动了戏曲艺术的发展。它在催生新剧的同时,也极力改编旧剧,使戏曲艺术以一种全新的面貌呈现在人民大众面前。根据明代康海所作杂剧《中山狼》改编的新剧,就很好地体现了戏曲改革运动的指导思想。研究该剧新旧剧本的异同,能够帮助我们更加全面地认识建国初期的戏曲改革运动。

The drama reform movement in the early days of new China has promoted the development of drama art enormously. New plays are expedited while old ones are revised, making drama art having a brand-new appem＇ance in front of people of new epoch. The variety play ＂The Zhongshan Wolf＂ is written by Kang Hal in Ming Dynasty. The new version based on this play has manifested the guiding principle of drama reform movement to a high degree. Through research on the similarities and differences of new plays and old ones, the effects and defects of drama reform in the early days of new China can be viewed comprehensively.