摘要
以《乐府传声》的声乐表演艺术为研究对象,运用体验派和表现派两大表演艺术流派的理论,就文中关于表演艺术的"体验"和"表现"的表演方法进行了思考。解读发现,徐大椿对于声乐表演艺术中声乐表演方法的认识,与体验派和表现派的认识相比,有不可替代的独特性。
.Based on vocal music performance of the Book Music of Ballads (le fu chuan sheng), the article,using the"experience'drama theory and the"expression" drama theory, thinks of its acting methods"experience'and "expression". The analysis indicates that Xu Da-chun s understanding about acting methods of vocal music performance, compared with the corresponding viewpoint of the "experience" drama theory and the "expression" drama theory, has an irreplaceable specialty.
出处
《泉州师范学院学报》
2011年第5期60-64,共5页
Journal of Quanzhou Normal University
关键词
《乐府传声》
声乐表演艺术
表演方法
“体验”
“表现”
the Book Music of Ballads
vocal music performance
acting methods
"experience' "expression"