徽派民间家具设计事理研究

Research on the design logic of Hui-styled folk furniture

徽派民间家具主要分布在徽州古民居内的厅堂、卧室、书房和学堂以及祠堂等地方。这些分布在不同场所里的家具的设计,既实现了家具的必要功能和符合程朱理学的礼教要求,又照顾了个人的审美需求。在家具设计的过程中,徽商居于主导地位,文人是家具符合程朱理学思想的捍卫者,而匠人使家具的设计具象化和物质化,通过他们的共同参与,完成了作为人为事物的徽派民间家具的设计。

Hui- styled folk furniture mainly scattered in such ancient folk residences as the living room, bedroom, study, classroom of old courtyard and ancestral hall in Huizhou. The design of the old furniture not only realized the essential function and accorded with the ceremonial requirements of Cheng and Zhu idealist philosophy, but also considered individual aesthetic needs. In the process of furniture design,with Huizhou businessmen playing a dominant role and the scholars safeguarding the furniture＇s matching the idealist philosophy of Cheng and Zhu, the handicraftsmen made the furniture design specific and materialized. Through their co -involvements, the furniture design of Hui - styled folk furniture as products of human efforts was accomplished.