自由与反叛——论莫言的边缘化写作

莫言的小说饱含有一种自觉的边缘化意识,他的《红高粱》和90年代的几部长篇都饱含有这种反正统的因子,二元叙述与反文化书写在莫言的作品中得到了淋漓的展示。正是在这样的民间叙事模式与夸饰人性的多声部层次上,莫言实现了他对正统的纠正与对历史的思考。

In MoYan＇s novels, there is a kind of marginalized consciousness. His Red Sorghum and several novels in 1990＇s are full of these anti--orthodox factors. Binary narrative and reverse culture are also well developed in his works. In fact, it is through such folk narrative mode and the multilevel of exaggerative humanity that MoYan realizes his correction of orthodox and reflection of history.