摘要
在张爱玲的作品中,多次出现了“标本”意象,如蝴蝶标本和屏风上的绣鸟,以及遗作《小团圆》中的木雕鸟的意泉,这种无生命的“标本”意象贯穿了她的作品,喻示着她笔下的女性永恒的受禁锢的命运。
In the works of Eileen Chang, has appeared " specimen" imagery, such as butterflies and screen embroidered birds, as well as the posthumous" small reunion" in wood carving the image of bird, the inanimate" specimen" imagery throughout her work," showing her to write about women forever confined fate.
出处
《神州》
2011年第10X期37-38,共2页
关键词
“标本”意象
蝴蝶标本
绣鸟
《小团圆》
木雕鸟
女性命运
" Specimen " image
butterfly specimens
embroidered birds
" little reunion"
wooden bird
females fate