生态家园的美学之思——简论曾繁仁的生态存在论美学观

Aesthetic Reflections on Ecological Homeland——On Mr. Zeng’s Esthetic View of Modern Ecological Ontology

曾繁仁的生态存在论美学是对传统二元对立思维和"人类中心主义"、"艺术中心主义"的有效消解,其理论关注焦点不是抽象纯粹的传统美学原则,而是美学与当下生态、存在、现实、人生之间的联系。其思想强调的是人与自然、社会的动态平衡,致力于实现人类的审美化、诗意化生存。

Zeng Fanren＇s aesthetics is an effective deconstruction of the traditional dualism of thinking,＂nthropocentrism＂, and ＂art centerism＂. Its theoretical focus is not purely on abstract principles of traditional aesthetics, but on the relationship between aesthetics, nature, existence, reality, and life. The idea iscommitted to achieve human existence with aesthetics and poetics.