摘要
诗意的栖居,源于德国诗人荷尔德林的《在柔媚的湛蓝中》:"劬劳功烈,然而人诗意地栖居在大地上。"荷尔德林第一次提出了人如何诗意的生存的命题,这也是当下艺术家必须面对的艺术拷问。作为一位在艺术上的栖居者,一位现当代有影响力的艺术家,任传文在继承中国文化传统和对油画语言与形式的探索上,作出了独特的贡献。任传文的绘画完美地诠释了如何运用油画语言与形式来贯彻东方美学的意象法则,使其绘画具有东方诗意的美学价值。从而实现了这一命题。
German poet Friedrich Hlderlin puts forward the proposition of how man survives poetically,which is also an artistic problem the current artists must face.As a dweller in art and an influential artist at modern times,Ren Chuangwen makes distinctive contributions to inheriting Chinese cultural tradition and exploring canvas language and form.His paintings perfectly interpret how to carry out the imagery principle of oriental aesthetics by the use of canvas language and form.This principle makes his paintings have aesthetic value of oriental poetry,thus realizing H?lderlin's proposition.
出处
《绵阳师范学院学报》
2011年第7期129-131,共3页
Journal of Mianyang Teachers' College
关键词
意象
意象美学
油画语言
image
image aesthetics
canvas language