摘要
李斯特在清唱剧创作中以变革思维突破了该体裁沿袭多年的程式化套路,奠立起器乐-声乐一体化的新型模式;又以多元化的创作思维,把重新复活的基督教音乐遗产与19世纪的现代语言有机地融为一体,并对传统的基督教主题作出了新的理解与阐释,形成了一种兼容并包多元意趣、极具个性的清唱剧风格,为这一体裁在19世纪的发展做出了重要的历史贡献。
Liszt broken down the modality of oratorio slylized for many years by new thinking and created a new mode integrating instrumental music and vocal music. He combined the revived heritage of Christian music with the contemporary language of the 19th century, gave new understanding and explanation on the traditional Christian theme and formed a unique oratorio style that combines and includes various musical and aesthetic ideas. He made important historical contributions to the development of oratorio in the 19th century.
出处
《星海音乐学院学报》
CSSCI
2011年第3期12-16,35,共6页
Journal of Xinghai Conservatory of Music
关键词
李斯特
清唱剧
变革思维
多元思维
历史贡献
Liszt
Oratorio
transform thinking
multiple thought
historical contributions