摘要
文章总结了自上个世纪50年代至今,当代古琴音乐创作的概况及其多元化的态势特点,并介绍了当代琴家李祥霆与成公亮的古琴即兴创作的探索历程及其意义。就整体的深度与广度而言,当前古琴音乐的创作还较为薄弱。应加强古琴音乐的当代创作,并加强对既懂作曲,又精通古琴的专业古琴音乐创作人才的培养。以推陈出新,让古琴艺术与时代发展同步,与当代人的审美理想产生共鸣,不断创作出反映现实生活及现代人文精神的新琴曲。
This article summarizes general situation of contemporary Guqin music creation and its pluralism since 1950s and introduces courses and meaning of the Guqin＇ s improvising exploration made by contemporary artists Li Xiang-ting and Cheng Gong-liang. Overall, the contemporary music creation of the Guqin is weak. Music creation of the Guqin should be strengthened and talents who knows composition and is versed？ in the Guqin should be cultivated, so as to develop the new from the old, develop the Guqin art with times, resonate with contemporary people＇s aesthetic ideal and constantly create new compositions that reflect real life and modem humanistic spirit.
出处
《星海音乐学院学报》
CSSCI
2011年第3期25-29,共5页
Journal of Xinghai Conservatory of Music
基金
江苏省社会科学基金项目"江苏古琴非物质文化遗产保护与传承的调查研究"(项目编号:09YSC010)
关键词
古琴音乐
创作
移植
即兴创作
李祥霆
成公亮
Guqin music
creation
arrangement
improvisation
Li Xiang-ting
Cheng Gong-liang
