摘要
在武满彻晚期乐队作品独特的音响思维中,和声思维是核心因素。文章从武满彻晚期乐队作品和声的纵向和弦结构、横向进行以及调性思维三个角度对武满彻晚期乐队作品中和声思维进行分析研究,找寻武满彻和声思维的根本特征。
In Toru Takemitsu' s late orchestra composition sound thinking, harmonic one is a dominant factor. The paper studies his late orchestral composition sound thinking from three aspects: vertical and horizontal structure of harmony and tonal idea, in order to search out the fundamental feature of his harmonic thinking.
出处
《星海音乐学院学报》
CSSCI
2011年第3期117-128,共12页
Journal of Xinghai Conservatory of Music
关键词
武满彻晚期乐队作品
结构循环调式和弦
五声调式和弦
Toru Takemitsu' s late orchestral composition
cyclic modal chords
pentatonic modal chords