摘要
《新潮》作为"五四"前后北大学生文化实践活动的历史产物,编辑与作者身份的重叠使期刊的风格更加受制于编辑的文风,更依赖于主编的兴趣与审美。丛书和文艺丛书的出版既延续了《新潮》的精神,又显示了历史的独特文学选择。
Renaissance is the historical outcome of culture practice created by Peking University students during the May 4th movement.With the overlapping of editor and authorship,its publication style is more restricted to the editors’ style of writing,and more dependent on the interests and taste of the chief editors.The publication of its series and literature series not only continues the essence of Renaissance,but also shows the unique literature choice of the history.
出处
《青岛科技大学学报(社会科学版)》
2011年第3期117-119,共3页
Journal of Qingdao University of Science and Technology(Social Sciences)
关键词
《新潮》
编辑主体性
历史语境
Renaissance
editors’subjectivity
historical context