摘要
自上世纪80年代,国外的戏剧思潮以前所未有的速度和强度冲击着中国戏剧界,进而影响着戏剧导演们的创作观念和实践。这种变化也体现在戏剧院校的课堂里和毕业实习剧目的创作中。本文以新世纪以来中央戏剧学院导演系部分有代表性的毕业剧目为例,将导演创作中的新变化置入当下的社会语境中,通过分析导演创作中的新变化,寻找两者之间的影响和联系。并讨论了当下导演创作和教学的某种共性及其未来的发展方向。
Western theatrical theories and ideas have been introduced since 1980s into China,with ever increasing impacts on directors and students of stage direction.The author reviews several graduation productions in the Department of Directing,Central Academy of Drama,trying to detect the connection between the directors' new methodology and the changing social context.It also discusses common grounds covered by both the training methods and creation stratagems as well as future developments of stage direction.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2011年第3期84-91,共8页
Drama:The Journal of the Central Academy of Drama
关键词
后现代戏剧
导演创作
戏剧观念
avant-garde theatre
directing
theatrical theories and ideas