摘要
视觉文化使用了全景敞视舞台的手段制造了一种新的观看机器。在这个机器中,被看者被塑造成舞台中心的英雄。他们的目光表达了自己,诱惑了对方,形成了观众和表演者的视觉的垂直联系,这种联系使得表演者的权力的合法性得到巩固。被看者的眼睛重在表达,而观众的眼睛重在观看。在观看中视觉的权力被释放了出来。
As a metaphor,in visual culture,panorama stage has been used in order to build a new viewing system.When some one has been placed on this stage,he will be dressed up as a hero.The actor expresses himself and attracts others by his eyes,and this kind of direct relationship can justify the power of actor.Direction relations are constructed between the audience and actors.In this kind of visual system,the power is completely released.
出处
《南通大学学报(社会科学版)》
2011年第5期130-134,共5页
Journal of Nantong University:Social Sciences Edition
基金
广东省哲学社会科学"十一五"规划项目(GD10YZW04)
广州体育学院院管项目(YB1102)