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位置感、族群记忆与身份回归——生态视域下的当代美国印第安诗歌 被引量:2

Sense of Place,Ethnic Memory and Identity Regression——An Ecological Interpretation of Contemporary American Indian Poetry
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摘要 20世纪下半叶,随着印第安文学的复兴,美国印第安诗歌也以其浓郁淳厚的地域气息和别具一格的艺术风格赢得了广大读者的欣赏和赞叹。相对印第安口传诗歌而言,当代美国印第安诗歌的主题得以拓宽,不仅仅是歌咏大地、描绘自然,而是表现出强烈的族群关怀和民族意识,突出了培育位置感的重要性,并主张通过族群记忆、想象等策略实现向印第安传统文化和身份的回归。 In the late half of the 20th century, along with the revival of the Indian literature, American Indian poetry with its strong regional flavor and unique artistic style has won the general reader' s appreciation and admiration. Compared with Indian oral poetry, the theme of contemporary American Indian poetry has been widened, not just eulogizing the earth, painting nature, but also showing a strong ethnic concern and national awareness, highlighting the importance of cultivating the sense of place and advoca- ting the regression of traditional culture and identity through ethnic memory and imagination.
作者 张明兰
出处 《西南科技大学学报(哲学社会科学版)》 2011年第5期62-66,97,共6页 Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition
关键词 当代美国印第安诗歌 位置感 族群记忆 身份回归 Contemporary American Indian poetry Sense of place Ethnic memory Identity regression
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  • 1Tu Weiming, "The Context of Dialogue: Globalization and Diversity," in Crossing the Divide : Dialogue among Civilizations by A. Kamal Aboulmagd, et al. (South Orange, New Jersey: the School of Diplomacy and International Relations, Seton Hall University, 2001), p.66.
  • 2Jack Foley, "Multiculturalism and the Media: a Speech Delivered in the Commonwealth Club, San Francisco,6,"28/90," in O Pozoerful Western Star: Poetry & Art(Oakland, CA: Pantograph Press, 2000), p.35.
  • 3Roy Harvey Pearce, The Continuity of American Poetry (New Jersey, Princeton: Princeton University Press,1961), p. 15.
  • 4Martin S. Day, History of American Literature from 1910 to the Present (Garden City, New York: Double-day & Company, Inc , 1971), p.v.
  • 5David Perkins, A History of Modern Poetry : From the 1890s to the High Modernist Mode (Cambridge, MA:Harvard University Press, 1976), p. 390.
  • 6ibid.
  • 7Brian Swann, "Introduction: Only the Beginning,"in Harper's Anthology of 20th Century Native American Poetry, ed. , Duane Niatum (New York: HarperCollins Publishers, 1988), p. xx.
  • 8What is It? - Document from AIM: 25th Anniversary Conference/International Peoples Summit September 1-6,1993.
  • 9Vine Deloria, Jr. , Custer Died For Your Sins : An Indian Manifesto (New York: Simon and Schuster, 1969),p. 13.
  • 10Brian Swarm, "Introduction: Only the Beginning",p. xxi.

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