摘要
《世说新语》作为"丛残小语"式文言笔记小说,其叙事视角具有同类作品所缺的统一性,在记录后汉至东晋近三百年士人"众生相"时,始终采取相对客观的限知视角,叙事方式呈现重显示、轻讲述的特点,这大大拓展了文本的审美空间,丰富了读者的阅读感受。
As a classical Chinese minute novel, Shihshuo Xinyu＇s narrative visual angle is quite identical that other minute novels are not. When recording the upper ten＇s all flesh images living from the Later Hart Dynasty to the Eastern Jin periods, it engages a comparatively impersonal restrained - knowledge visual angle, and when in recording idiographic narration, it engendered an attaching- importance -to revealing and belittling relating narrative type. Thus greatly enlarges the texts tasting space, and enriches readers＇perusing joviality.
出处
《湖北师范学院学报（哲学社会科学版）》
2011年第5期49-52,共4页
Journal of Hubei Normal University（Philosophy and Social Science）
