摘要
通过介绍台湾报导文学代表性作品,对照社会运动史进行考察,标示出作品与时代、政治、经济、社会、文学环境等特质,展示作为一种进步性的文类,报导文学如何展现出文学的社会动员力。同時循着台湾报导文学的发展轨迹,针对目前多数作品的弊端,大胆提出"松绑论",希望藉由解除绝对客观书写、学术式书写以及体式偏向散文等迷思,扩大书写者的空间,让报导文学能回归文学创作的场域,累积与民间社会的紧密脐带关系。
This research introduces some representative reportage works in Taiwan and reveals the interrelationship between reportage works and their political,economic,social and literary environments.In representing a mature literary genre,this study will show how reportage reveals the social mobilization power.Meanwhile,this study pluckily proposes a "Release Theory" to follow the developing tracks of reportage in Taiwan.In regard to the abuse of most works,this study tries to destroy the myth of absolutely objective writing,academic writing,etc.,to enlarge space for writers and to let the reports go back to the field of creative writing and keep a close relationship with people and society.
出处
《四川大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第5期75-86,共12页
Journal of Sichuan University:Philosophy and Social Science Edition
关键词
台湾报导文学
社会运动
文学史
再现
reportage in Taiwan
social movements
literary history
representation