摘要
在东方历代美术论著中,我们可以看到艺术家一如既往的对于表现性的追求,这些理解同西方当代表现性绘画的某些观点不谋而合。东方写意绘画同西方当代表现性绘画在实现过程、表现语言和情感体验等方面的近似之处。作者通过对比分析,试图找到超越地域性的人类审美的共通追求。
The author takes a way to contrast the west modern expressive painting and the Chinese orient expressive painting, in order to discuss the same place in the realizing process, the art language and the experience about art creature in both group, we find out same points in orient fine art theory which are agreed by the west modern expression painter. Author tries to look for the human being's average aesthetic sense that have passed through the region for contrasting and analyzing, raises new theory significant to the modern expressive painting in China.
出处
《北京印刷学院学报》
2011年第5期81-82,86,共3页
Journal of Beijing Institute of Graphic Communication
关键词
西方当代表现性绘画
中国写意性绘画
直接书写
形式语言
情感体验
the west modern expressive painting
the Chineseorient expressive painting
the realizing process
the art language
the experience about art creature