郭祖荣的交响思维研究——以《第九交响曲》为例

The Research on Guo Zurong's Symphonic Thinking——Taking "The Ninth Symphony" as an Example

交响思维是作曲家创作时所运用的一种较为高级的思维,从古典主义开始,这种思维就已形成并趋于成熟,成为古典主义和浪漫主义时代重要的创作思维。这种思维具有开放性,会随着时代审美趣味的变迁而变化,并融合于各个时代整体的艺术理念中。郭祖荣是华人世界里创作交响曲最多的作曲家,目前已有20部交响曲诞生。《第九交响曲》是郭祖荣的代表作,该作集中体现了他的交响思维,具体体现在:整体结构的控制、核心乐思的贯穿、音乐语言的建立、变奏思维的运用以及宏观高潮的布局,通过这些来彰显现实生存中的矛盾冲突,体现鲜明的交响性。

Symphonic thinking is a more advanced thinking used by composers in their cre-ation.From the Classical era,this kind of thinking has formed and matured and be-came an important creative thinking in the Classical and Romantic eras.This kindof thinking possessed an open feature,changed along with the aesthetic tastes of thetimes and blended into the overall artistic concept of all the ages.With 20 sym-phonic compositions,Guo Zurong is the most prolific symphony composer in theChinese world.His masterpiece,＂The Ninth Symphony,＂ embodies a concentratedreflection of his symphonic thinking： the overall structure control,the core ideas’penetration,the music language building,the usage of variation thinking and thelayout of macro climax,through which to demonstrate the conflicts in real life andembody the distinctive symphonic nature.