摘要
本文通过学科定位("民族音乐学"与"音乐人类学")、学科边界("中心"与"边缘")、学科属性("科学"与"诗学")三方面的讨论,指出现行学科制度的局限性,主张打开学科制度的围城,进而探索适合于中国少数民族音乐研究的路向:从"无学科"身份的时代走来,向"跨学科"方法的时代走去。
In this article,the author made discussions on three areas,that is the Subject Location("ethnomusicology" and " anthropology of music "),Disciplinary Boundaries(the "center" and "marginal"),and the Subject Property("science" and "poetics").The author pointed out the Limitations of the current disciplinary system,and advocated to open the siege of disciplinary system,and then to explore the forward way of ethnic music research in China: from the era of "no discipline" to the era of "interdiscipline"
出处
《乐府新声(沈阳音乐学院学报)》
2011年第3期90-94,共5页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
学科制度
少数民族音乐
民族音乐学
音乐人类学
写文化
discipline system / ethnic music / ethnomusicology / anthropology of music / the written culture