1Schlickers S. Focalization, Ocalarization and Auriculariza- tion in Film and Literature [ M ]// Htlhn P, Schmid W, Schsnert J. Point of View, Perspective, Focalization: Mod- eling Mediacy. Berlin: Walter de Gmyter,2009.
2Bordwell D. A behemoth from the dead Zone [ EB/OL ]. [ 2011 - 03 - 08 ]. http://www, davidbordwell, net/blog/ 2008/01/25/a - behemoth - from - the - dead - zone/.
3Stare R, Burgoyne R, Flitterman-Lewiss. New Vocabularies in Film Semiotics [ M ]. London: Routledge, 1992.
4Rimmon-Kenan S. Narrative Fiction:Contemporary Poetics [ M ]. London: Methuen & Co, Ltd, 1983.
5Browne N. The Spectator-in-the-Text:The Rhetoric of Stage- coach [ M ]///Braudy L, Cohen M, Film Theory and Criti- cism: Introductory Readings. New York:Oxford University Press, 2004.
6Carroll N. Narrative Closure [ J ]. Philosophical Studies, 2007,135 ( l ).
