摘要
绘画艺术的自我意识,是在摄影的刺激下形成的。绘画与摄影的区别表现在眼、手、心三个方面。摄影提示了绘画不是模仿,而是"有意味的形式"。绘画的"形"不等于"形象("再现性形象),而毋宁说是"形式("抽象性形式)。绘画线条的意义从笔触中获得肯定,笔触和线条是画家身体活动的结果,因此绘画作品中有一个"看不见的身体"存在。构图是绘画处理中最根本的问题,其与空间互为表里,空间意识表现为画框意识与平面意识。绘画史呈"从形象到空间"的趋势而发展。
The self-consciousness of the art of painting is made by the stimulation of photography.But there are three different ways between painting and photography: visual,handcrafted and mental In contrast with photography,painting is a variety of significant forms rather just an imitation.It includes brush strokes and lines decided by painters themselves.So,composition of a picture is crucial,which has close relations with space.Comparing with that,photography has no capacity of creation for spatial illusions.
出处
《厦门大学学报(哲学社会科学版)》
CSSCI
北大核心
2011年第5期98-105,共8页
Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
关键词
绘画
摄影
美学
有意味的形式
人心营构之象
空间幻象
painting
photography
aesthetics
significant forms
images composed by the mind
spatial illusions