济南华阳宫古建筑群壁画保护修复理念研究

Research on the Protection and Restoration Concepts of the Frescos in the Huayang Palace Ancient Architectural Complex in Jinan

华阳宫古建筑群壁画在2000年首次保护修复过程中,贯彻实施了尽可能少干预、保护现存实物原状与历史信息以及濒危壁画的抢险迁移的修复理念。2009年,华阳宫古建筑群壁画二次保护修复工程在遵循中国传统文物保护修复理念的同时,不断吸收消化西方的文物修复理念,并且在具体的实施过程中应用了不改变原状、尽量少干预、预防为主、尽可能完全显现壁画的画面内容,以确保安全性、可识别性、保护修复材料的可操作性以及全面完整的记录保护修复档案等修复理念。

In 2000, the restoration concept such as less intervention, protect existing murals original state and historical information and rescue and migrate endangered murals are implemented in the process of the restoration of murals on the HuaYang Temple historic building group of Ji＇ nan for the first time. In the process of the second restoration, complying with the traditional Chinese cultural restoration concept, based constantly absorbing western cultural relics restoration concept at the same time, the restoration concept such as unchanged the original, the less intervention, mainly prevention, discover the murals content completely, safety, recognition, maneuverability of restoration material and records the restoration archive completely are put forward and applied in 2009.