边缘? 中心?──试论陈大为诗作之“中国”

Edge? Center?──Research on the "Chinese" Sign of Chen Dawei's Poetry

陈大为的诗笔不断出入历史与当下、中国与南洋、台湾与南洋等多重现实与想象纠缠的空间,以之来建构其叙事美学。此处试图针对陈大为诗中的"中国"符号,再探所谓中心/边缘的意识归属,试着从太简化的文化母国/离散文学的二元对立跳脱出来,观察其书写位置的流动性。

Chen Dawei poetry unceasingly comes in and goes out of the space intertwined with reality and imagination in the history and contemporary China, China and the southern coastal provinces, Taiwan and the southern coastal provinces, etc. , constructing its narrative esthetics. Here this article attempts to probe into the sign of ＂China＂ in Chen Dawei with discussions of the identity of consciousness of the so-called central/edge, hoping to skip overly simplified concept of dual opposition of cultural motherland/diaspora literature while observing to write the position the fluidity.