从“文心开辟”到冷峻孤傲——浅论新安画派风格的形成

From the Style of Wenxin to Being Aloof and Proud——On the Formation of the Style of Xin'an School

新安画派以黄山、白岳以及徽山皖水为主要创作对象,其画家主要是徽州籍人士,大多具有深厚的文化底蕴。早期绘画遵循正脉,以文心开辟,宗师倪黄,至渐江达到艺术顶峰,其流派风格也随之确立,逐渐摒弃了儒家积极入世的绘画思想,画面多简淡高远,意境萧瑟、冷峻、孤傲。本文着重从新安画派重要人物之一程邃一段题跋入手,浅议新安画派风格的形成。

Xin＇an School takes the Yellow Mountain,Bai Yue and mountains and rivers in Anhui as its painting objects,and artists of this school are mainly from Huizhou and with deep cultural deposits.During the early period,artistic works of Xin＇an School were based on the style of Wenxin,with Ni Yunlin and Huang Gongwang being its originators and works of Jian Jiang being its summit.Consequently,the style of Xin＇an School has been formed—abandoning the strong desire of participating of the Confucian School,and adopting the style of being thin and light,aloof and proud.Starting from one preface of Cheng Sui-one of the Xin＇an School artists,this paper mainly discusses the formation of the Xin＇an Style.