摘要
受元末文学复古思潮与明代复古诗派等多面影响而催生的"拟古乐府派",以及其大量的拟古乐府创作,成为了唐后乐府诗史上的一座高标。其中,以李东阳101首《拟古乐府》最具代表性。"拟古乐府派"以拟古乐府为旨归,主张"力去陈俗",于乐府诗的创作中求变求新,并为"咏史乐府"开创了一条新的路途。但由于这一诗人群体的拟古乐府存在着"太涉议论"等弊端,因而也使其艺术质量受到了程度不同的影响。艺术性逊色于思想性,即为明代拟古乐府的历史真实。
Imitating Yuefu Poems influenced by retro trend of literature in Yuan Dynasty and Ming Dynast became a high standard in the post-Tang history.Among them,101 pieces of imitating Yuefu Poems by LI Dong-yang are the most representative poems.Imitating Yuefu Poems etherealize and create a new way for the Yuefu poems which chant the history.However,the artistic quality of the poems has been affected in varying degrees because they are too much involved in discussions.Artistic quality of the poems is inferior to their ideological content,which is the true history of the imitating Yuefu Poems in Ming Dynasty.
出处
《阅江学刊》
2011年第5期110-116,共7页
Yuejiang Academic Journal
基金
国家社科基金项目"中国乐府诗批评史"(011BZW072)
关键词
明代乐府
拟古诗派
拟古乐府
力去陈俗
求新求变
Yuefu poems in Ming Dynasty
classical poetry
imitating Yuefu Poems
etherealize
innovative