摘要
作为与"复义"诗歌相对的"单义"诗歌,其诗美主要在形式。因为正是其显在的外在形式建构了一个潜在看不见的"文学场",使其美得以表现,并获得永久性保存。因此,鉴赏与评论现代诗歌史上的"单义"诗歌,必须转换批评者的思维方式,摒弃传统侧重主题思想内容层面的意识形态式的社会学批评模式,从诗歌形式入手,才会做出与诗歌自身属性相应的鉴赏、阐释与评价。
As the opposite of multi-vocal meaning poems,single meaning poems manifest their charm mainly in the forms.It is its external apparent forms that build a potential and invisible "field of literature" which makes it beautiful and wins permanent preservation.So to appreciate and comment on the single meaning poems of modern history of poetry must change the critique mode,abandon the traditional ideology type and lay emphasis on the forms of poems.Only by dong it like this we can appreciate,interpret and appraise the poems according with the attribute of them.
出处
《北华大学学报(社会科学版)》
2011年第5期73-77,共5页
Journal of Beihua University(Social Sciences)
基金
吉林大学哲学社会科学博士科研启动基金项目"新诗的语言和形式研究"(2006BS27)的阶段性成果
关键词
单义
形式
文学场
徐志摩
Single meaning
Forms
Field of literature
Xu Zhimo