摘要
萨满神歌是吉林乌拉部满族烧香跳神典仪的重要载体,历史悠久,文化积淀深厚,在当地满族群众中影响很深。特别是它那带有宗教色彩的旋律,在乐器与舞蹈的有力配合下,伴随着各类典仪而进行并贯穿于整个祭祀活动的始终。他以朴素的音调、套曲性质的曲式结构,宗教色彩浓烈的音列特色,确立与非确立的调式类型,不和谐性质的和音运用等音乐特征,更有其特殊的魅力和学术价值。
Saman Song of God is an important carrier of sacred incense ceremony in Manchu of Jilinwula,with a long history,profound cultural accumulation and deep influence on the local Manzhu people.In particular,such songs bear the melody with religious coloring,with its own glamour and academic value.This paper tries to analyze and probe into the formation and music features of Jilinwula Saman Songs of God from the perspective of music to reveal ontologically the musical attributes and contents of Jilinwula Saman Songs of God.
出处
《北华大学学报(社会科学版)》
2011年第5期126-128,共3页
Journal of Beihua University(Social Sciences)
基金
吉林省教育厅"十一五"社会科学研究项目"满族民歌的音乐形态与文化特征研究"(吉教科文合字2008第147号)的阶段性成果之一
关键词
吉林乌拉
萨满神歌
音乐特征
Jilinwula
Saman Songs of God
Music features