摘要
北宋中期,伴随文人画的发展,墨竹绘画开始成为一种独立的画科,标志着此时期的绘画不仅内容愈加丰富,而且题材也愈加专门化。该时期墨竹绘画以苏轼、文同为代表,在表现手法上以单一的水墨为手段,以抒发主观情感为宗旨,成功地将诗、书、画这三种相对独立的表现形式融汇在一起,创立湖州竹派。北宋中期的该绘画题材及其表现形式对宋后文人画的发展产生了深远的影响。
Along with the development of the literati paintings in the middle of North Song Dynasty,Bamboo painting is becoming an independent section of the painting,which marks not only the content is more rich but also the subject is more specializing.Sushi and Wentong are representatives in this period.They blended the three relative independent expression forms——poetry,calligraphy and painting successfully,and thus established Huzhou Bamboo School.This painting subject and its expression forms in the middle of North Song Dynasty greatly influenced the literati paintings hereafter.
出处
《开封教育学院学报》
2011年第3期13-15,共3页
Journal of Kaifeng Institute of Education
关键词
北宋
墨竹绘画
诗书画融合
写意性
the North Song Dynasty
Bamboo Painting
blending of poetry
calligraphy and painting
spiritual expression