摘要
文章旨在借《乐论》对"乐"这一艺术本体的审美阐释以及《通易论》对变动不居的卦象、爻辞的生动描绘,来说明阮籍思想"把玄学引向了美学,在美学上完成了玄学"的历史性转化,论证其正始时期哲学自然观的美学转向,确立以自然观为核心的和谐美学理想。
With the help of the aesthetical interpretation of '乐(music)' in View on Music and the vivid description of changeable images and text in General Introduction to Yi,this article aims to expound the historical change of Ruan Ji's thought of 'introducing metaphysics into aesthetics and completing metaphysics by aesthetics',and prove the aesthetical change of his natural philosophy during Zhengshi period(240-264) so as to establish the harmonious aesthetical ideal centered on natural view.
出处
《长江师范学院学报》
2011年第5期68-71,158,共4页
Journal of Yangtze Normal University
关键词
阮籍
正始
自然观
和谐
美学理想
Ruan Ji
Zhengshi
natural view
harmony
ideal of aesthetics
