摘要
发展观是比较艺术学长存的基础。比较艺术学研究以适应世界艺术的演变与学科的发展调整自身的研究范围和方向,以发展的学术视野和开放的文化立场研究世界不同国别(民族)、不同族群的艺术现象和艺术形态的变化。比较艺术学的发展观,以开放的文化立场和学术视野为基础和根本,由此将世界不同国别或民族的艺术,作为研究范围。不仅如此,比较艺术学的开放性还将不同的学科纳入比较研究的范围,及跨学科的比较研究。由此开放性的发展观成为比较艺术学学科长足发展的核心基础。
The concept of development is an ever-lasting basis of comparative art research, which adjusts its research scope and direction according to the change of global art and discipline evolution and studies artistic phenomena and forms of different nations and ethnic groups in the world with a developing academic vision and open cultural stance. With an open cultural standpoint and academic horizon as the foundation, the development concept of comparative art studies takes the art of distinctive nations or eth- nic groups as objects. Furthermore, comparative art studies bring various subjects into the range of com- parative and interdisciplinary research. Therefore, the open development concept becomes an essential basis for the long-term progress of comparative art studies.
出处
《文化艺术研究》
2011年第3期87-91,共5页
Studies in Culture and Art
基金
2009年度国家社会科学基金艺术学项目<比较艺术学体系研究>阶段成果
项目号为:09BA011
关键词
发展观
开放性
比较艺术学
学术身份
development concept
openness
comparative art studies
academic identity