回族宴席曲中的女性特征

The Feminine Features in Banquet Song of Hui Ethnic Group

宴席曲是流行于甘肃、青海回族中的一种民歌形式。宴席曲作为回族的代表性音乐形式,具有较高的艺术价值和多层面的女性文化内涵。从女性主义的研究视角审视宴席曲,可以清晰地看出宴席曲不仅体现了女性倾吐自身命运的悲哀,而且也深刻地记录了社会历史文化变迁的轨迹。回族宴席曲的女性特征研究是在以往回族宴席曲研究基础上的延续和深化,关注的是社会文化语境中女性与音乐活动的关系。

Banquet song is a kind of folk songs popular in Gansu and Qinghai provinces.As a representative form of music of Hui ethnic group,Banquet song has high art value and multi-layered feminine cultural connotations.Studied from the feminist perspective,banquet song not only embodies the female sorrow of their own destiny,but also deeply records the change and track of social and historical cultural change.The research of feminine features in banquet song of Hui ethnic group is the continuity and extension based on the previous research.Its focus is on the relationship between female and music activity in the social cultural context.