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莱昂先生的被颠覆之路——论安吉拉·卡特的《莱昂先生的求婚》 被引量：1

Subversion Road of Mr.Leon——Talking about Angela Carter's "Mr.Leon's Marriage Proposal"
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摘要 本文分析了安吉拉.卡特的《莱昂先生的求婚》,从男性主体位置的消解、女性反客为主、主体与客体转换三方面解读文本,揭示父权制社会中女性意识的觉醒,卡特颠覆了传统的主体/客体的模式,进而颠覆男性的主体位置并建立女性自己的主体地位,终极目的是男女二元对立的消解,两性平等的实现。 This paper analyzes Angela Carter＇s ＂ Mr.Leon＇s marriage proposal＂,the location of digestion from the male subject,fe-male masters,three aspects of subject and object conversion interpret the text,reveals the patriarchal society,women＇s consciousness,Carter subvert the traditional main / object model,and thus subvert the male subject position and to establish the dominant position of women themselves,the ultimate purpose is digestion of binary opposition between men and women,to achieve gender equality.
作者 平原春
机构地区 云南大学大学外语教学部
出处 《科教导刊》 2011年第29期233-234,共2页 The Guide Of Science & Education
关键词 安吉拉·卡特 男女二元对立 主体 客体 Angela Carter binary opposition between men and women subject object
分类号 I561.074 [文学—其他各国文学]
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参考文献2

二级参考文献43

  • 1"Angela Carter", in The Longman Anthology of Short Fiction: Stories and Authors in Context, Compiled by Dana Gioia and R. S. Gwynn, New York: Longman, 2001,p. 256.
  • 2"Brier Rose", in The Complete Fairy Tales of the Brothers Grimm, Translated and With an introduction by Jack Zipes, New York: Bantam Books, 2003, pp. 171 -174.
  • 3Dana Gioia and R. S. Gwynn, 2001, p. 256.
  • 4Angela Carter, " The Loves of Lady Purple", in Fire Works: Nine Profane Pieces, London: Penguin 1974,[ Chatto & Windus, 1987 ], p. 24.
  • 5Virginia Woolf, A Room of One's Own, London: Hogarth, 1928.
  • 6Carlo Collodi ( 1826 - 1890) , Illustrated by lassen Ghiuselev, The Story of a Puppet: the Adventures of Pinocchio, Vancouver: Simply Read Books, 2002.
  • 7Anita Brookner, A Start in Life, London: Jonathan Cape,1981.
  • 8Maroula Joannou, Contemporary Women's Writing: From The Golden Notebook to The Colour Purple,Manchester and New York: Manchester University Press,2000, p. 94.
  • 9Robert Clark, "Angela Carter's Desire Machine", Women's Studies, 14, 1987, pp. 147-61.
  • 10Elaine Jordan, "The Dangers of Angela Carter", in Isobel Armstrong (ed), New Feminist Discourses: Critical Essays on Theories and Texts, London:Routledge, 1992. pp. 119 - 33.

共引文献34

同被引文献15

  • 1Atwood, M. 1994. Running with the tigers [A]. In L. Sage (ed.). Essays on the Art of Angela Carter: Flesh and the Mirror[C]. London: Virago Press.
  • 2Bettelheim, B. 1977. The Use of Enchantraent : The Meaning and Importance of Fairy Tales[M]. New York: Vintage.
  • 3Brooke, P. 2004. Lyons and tigers and wolves-Oh my ! Revi- sionary fairy tales in the work of Angela Carter[J]. Critical Survey, ( 1 ) :67 -88.
  • 4Day, A. 1988. Angela Carter: The Rational Glass[M]. New York:Manchester University Press.
  • 5Desblache, L. 2005. Beauties and beasts: Contrasting visions of animal representation in women' s contemporary fiction [J]. Comparative Critical Studies, ( 3 ) :360 - 381.
  • 6Harron, M. 1984. "I"m a socialist, damn it.I How can you expect me to be interested in fairies.'? [N]. The Guardian, 1984 - 09 - 25.
  • 7Irigaray, L. 1985. G. Gill (trans.). Speculum of the Other Woman [M]. New York: Cornell University Press.
  • 8Makinen, M. 1992. Angela Carter' s "The Bloody Chamber" and the decolonization of feminine sexuality[J]. Feminist Re- view, (42) :2 - 15.
  • 9Mulvey, L. 2001. Visual pleasure and narrative cinema[A]. In V. Leitch ( ed. ). The Norton Anthology of Theory and Criticism[C]. New York :Norton.
  • 10Tatar, M. 1999. The Classic Fairy Tales: Texts, Criticism [M]. New York:Norton.

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科教导刊
2011年 第29期

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