论中国传统音乐的自为体系——以广西桂林大圩镇的“文场”为例

On the Self-organization of Chinese Traditional Music:A Case Study of Wenchang of Daxu Town in Guilin

中国传统的音乐诸文化系统与自然界生物系统的自为体系一样,都各自拥有一套自为体系。它们在历史的发展中受社会主流音乐或强势音乐文化的引导与节制,不断进行内部的更新与重组,以适应其生存需要。大圩镇传统曲艺音乐—"文场"在发展过程中,其自为体系也体现了生存机制、选择机制、文化环境及文化适应的问题。

Just like the natural biosystem, all the cultural systems of Chinese traditional music have their own self-organization, directed and constrained hy the mainstream music or preponderant musical culture in their internal regeneration and reconstruction to meet their survival needs in the course of history. In the developmental progress of Wenchang, Daxu＇s traditional Quyi music, its own self-organization also reflects the issues of survival and selection mechanism, cultural environment and acculturation.