朱熹《诗经》诠释之“兴起”说浅论

"Arousing" in ZHU Xi's Annotation of Book of Songs

"兴起"是朱熹诗经学中的一个关键概念,但长期以来并未引起足够重视。兴起本质上是理解主体与理解客体不断交融的意义生成过程,它作为一种有效的诠释机制和策略,使朱熹的"以义理说《诗》"合法性成为可能,为其通过《诗经》而更好地阐发理学思想做了基础性的铺垫,在《诗经》汉学向《诗经》宋学转变过程中,起到了中介与桥梁作用,其地位不容忽视。

＂Arousing＂ is a key concept or category in ZHU Xi＇s study of Book of Songs.However,it hasn＇t obtained enough attention for a long time.The paper argues that ＂arousing＂ is a process in which the understanding subject and the understood object are blended forming a new meaning.As an effective mechanism and strategy,it legitimizes that ZHU Xi annotated Book of Songs by principles.It does better bedding for ZHU Xi＇s elucidating the idea of neo-confucialism in studying Book of Songs.It also plays an intermediary role as a bridge in transforming the study of Book of Songs in the Han Dynasty to the study of Book of Songs in the Song Dynasty.Its status and role can not be ignored.