摘要
1930年代左翼文学与现代主义文学之间具有一种复杂的关系,许多作家既有左翼文学的倾向,又有现代主义文学的特点,这主要表现在作家主体意识的左右互换、作品内容中所呈现出来的颓废与反抗主题及鲜明的现代主义艺术形式三个方面。在有些人看来这是左翼文学不成熟的表现,但这应该是一种正常的文学发展状态。后来因过于强调左翼文学的政治性而导致二者分道扬镳,甚至出现了二者相互对立的局面。
There did exist a kind of complicated relationship between the Left-Wing literature of the 1930' s and modernist literature. Many writers had both Left-Wing literature tendency and the characteristics of modernist literature. And this is mainly demonstrated in three aspects: the changes of writer' s subjective con- sciousness from the Left to the Right, the theme of decadence and that of resistance presented in the works, and the distinct modernist artistic form. To certain people, it is an indication of the immaturity of Left-Wing literature. this led to of overemp However, it is the normal state of the development of literature as a matter of fact. But later on, the separation of one from the other, and even to the opposition of one against the other as a result hasizing the political nature of the Left-Wing literature.
出处
《山东师范大学学报(人文社会科学版)》
北大核心
2011年第5期40-46,共7页
Journal of Shandong Normal University(Humanities and Social Sciences)