北宋文坛对“元和、长庆风格”之接受及其意义

The Reading and Reception and Its Impacts of the "Style of the Period of Yuanhe and of Changqing" during the Song Dynasty

"贞元、元和风格"亦可表述为"贞元、长庆风格"、"元和、长庆风格"或径称为"元和之风",是宋代文坛极为流行的文学批评话语。它滥觞于五代,盛行于北宋前期,演变于北宋中叶。太宗淳化、至道间特指以元白为代表的翰苑文章,真宗景德、祥符间兼指馆阁翰苑的诗歌赋颂,仁宗庆历、嘉祐间则转为推重韩柳古文。这一话语集中体现了宋人对唐代文章的阅读和接受,以元白、韩柳为重心,"贞元、元和、长庆"也即后世所谓"中唐"这一时段显示了在唐宋文学承继转捩进程中所具有的独特意义。

The ＂style of the period of Zhenyuan （785 - 804 ） and of Yuanhe （ 806 - 820 ） ＂is also known as the ＂style of the period of Zhenyuan and of Changqing （821 -824）＂, and similarly the ＂style of the period of Yuanhe and of Changqing＂ is known for short as the ＂style of the period of Yuanhe＂. These terms were extremely popular as literary critical discourses during the Song Dynasty. This sort of style originated itself during the Five Dynasties （907 -960）, but flourished during the early North Song Dynasty and evolved during the mid-North Song Dynasty. During the period of Chunhua （990 - 994） and that of Zhidao （995 - 997 ） under the reign of Taizong, ,Emperor of the Song Dynasty, the style referred in particular to essays from the Imperial Academy with Yuan （Zhen） and Bai （Juyi） as its representatives, whereas, during the period of jingde （ 1004 - 1007） and that of Xiangfu （ 1008 - 1016） under the reign of Emperor Zhenzong, it at the same time referred to the elegant poetry （shi）, songs （ge）, rhapsody （fu）, and odes （song） from the Imperial Academy, but, during the period of Qingli （ 1041 - 1048） and that of Jiayou （ 1056 - 1063 ） under the reign of Em- peror Renzong, it referred to, and laid stress upon, the Ancient Chinese prose by Han （Yu） and Liu （Zongyuan）. This undoubtedly demonstrates that, as far as the reading and reception of the writings of the Tang Dynasty is concerned, intellectuals of the Song Dynasty took Yuan and Bai, and Han and Liu as their priority, and the period from ＂Zhenyuan to Yuanhe, and then to Changqing＂ bore particular impacts on the development of literature from the Tang to the Song Dynasty.