摘要
巴塞尔姆的后现代主义小说《白雪公主》嫁接于格林童话《白雪公主与七个小矮人》，但二者创作风格迥异。对作者而言，互文性是其“叛逆性创作”的重要手段；对读者而言，互文性带来了“痛并快乐”的“极乐”阅读体验，帮助读者解读后文本的白雪公主角色塑造的矛盾性和悲惨命运，揭示作者的创作深受前文本的传统和作者所处社会背景的双重影响。
Donald Barthelme＇s post-modern novel Snow White was based on Grimms＇ Snow White and the Seven Dwafs but in a quite different style. For the author＇s part, intertextuality is an essential way of his ＂rebellious creation＂, while for the readers＇ part, it brings about their bittersweet ＂bliss＂ reading and helps them interpret Snow White＇s contradictory character and her tragedy to reveal that the author＇s creation is deeply influenced by the literary traditions of the pre-existent intertext and the author＇s social context.
