摘要
乾嘉汉学作为清代中期官方推崇的主流学术,与文学呈现出某种同构之势,涉及到三个层面:文人与学者的兼容、汉学介入文论话语及文学创作的炫学化倾向,反映出乾嘉时期学术风尚与文论思潮之间的复杂关联。
The sinology in Qianjia period,as the mainstream in academy held in high esteem during the middle of Qing Dynasty,presenting some kind of intendency in isomorphism,is involved in three aspects: the compatibility between writers and scholars,the sinology inserting into literary discourse and the intendency in metaphysics of literature.
出处
《江南大学学报(人文社会科学版)》
2011年第5期102-106,110,共6页
Journal of Jiangnan University:Humanities & Social Sciences Edition
基金
教育部人文社科青年基金项目(10YJC751032)
安徽省教育厅人文社科基金项目(2009sk105zd)
安徽农业大学稳定和引进人才科研资助项目(2008)阶段性成果
关键词
乾嘉汉学
文学
同构
The Sinology in Qianjia Period
Literature
Isomorphism