试论新体诗《神女惊梦》的形制与意境——兼谈诗集的珠穆朗玛情结

The Mode and Image of the Poems "A Goddess' Nightmare" with a New Poetic Version and a Poet's love of the Goddess Himalaya Expressed in his Poems

浪漫主义诗人喜玛拉雅山人(本名萧蒂岩),在西藏生活工作四十年,刻意追求新诗理论倡导者毛泽东关于古典诗词+民歌+自由诗=新体诗的探索道路,不辞劳苦地广泛探求新诗的体格,包容各种形制的新诗创作,试尝内容与形式的最佳结合,有成功的范例,也有失败的教训,为新体诗的继续探索提供了可供借鉴的蓝本——《神女惊梦》。同时,获得了较大的诗歌创作成就。当诗人充满激情写作时,那是在与珠穆朗玛神女交流信息;当诗人刻意追求诗的民歌形式时,诗歌就有可能缺少激情。

Himalaya, whose original name is Xiao Diyan, a Romantic poet having been Tibet for forty years, has been at pains to seek for a variety of new poetic versions and advocate Mao Zedong＇s principle of forming new poetic styles, namely, the combination of classical poems, folk songs and free verses. He got both successes and failures, but set an example of a new poetic version with the poems ＂A Goddess＂ Nightmare＂, and achieved in his poem writing as if being communicating with the Goddess Himalaya. However, since the poet stressed too much on writing poems in folk song version, the poems seem to be lack of emotion.