《古诗十九首》的忧患意识及其艺术风格

The Hardship Consciousness and the Artistic Styles of "Nineteen Ancient Poems"

《古诗十九首》是东汉末年下层文人集体创作的五言诗,诗歌中折射着作者浓郁的忧患意识。忧患意识不仅源于动荡的社会现实,更来自于怀疑和否定的个体心理,这种心理结构的形成,深层次上归因于儒道思想观念之间的对立冲突,在这种对立统一的矛盾心理结构的基础上,形成了作者特有的心理场,使得生活中的人事、物象通过这个心理场的筛选、过滤,从而使得诗歌中产生了一系列具有内在联系的典型的、象征性的意象群,经过不同意象的巧妙组合,创造出"不隔"的意境,形成了《古诗十九首》率真、沉郁、悲凉的艺术风格。

The Nineteen Ancient Poems is the poems created eollectivly by lower writers at the end of the Eastern Han Dynasty, these poems reflect the intense hardship consciousness. Hardship consciousness is not only due to the turbulent social reality, but also comes from the suspicion and denial of individual psychology, the formation of this psychological structure deeply attributed to the antinomy and conflict between Confucianism and Taoism ideas, in the unity of opposites of psychological structure, there formed the unique psychological field, the personnel of life ,images was screened and filtered through the psychological field, which makes the poetry produced a series of inherently linked to the typical, symbolic image groups, through the ingenious combination of different images, then created a ＂ non-mediation＂ conception, which formed the sincere, gloomy, dismal artistic style of The Nineteen Ancient Poems.