摘要
《悲悼》三部曲是奥尼尔对希腊悲剧的重新思考和创新,他将希腊悲剧移植到现代社会,将圣经原型意象和圣经原型主题引入剧中。作者对于人性、命运形态的深切洞察,真实再现了现代人的痛苦与挣扎,并对人类在追求超越人性弱点、直面自己犯下罪孽的历程中不屈前行的品格的由衷讴歌,这也正是《悲悼》三部曲长盛不衰的秘诀,其中蕴含的深刻思想内涵值得我们不断挖掘和解读。
The great trilogy Mourning Becomes Electra is O＇Neil＇s re-evaluation and re-creation of Greek Mythology,transplanting it into modern society,bring Biblical images and archetypal themes into this great play.This essay,taking Frye＇s archetypal criticism and The Bible as the theoretical foundation,analyzes the mythological archetypes—including the characters,the symbols and the structure in this play,reflecting the author＇s re-creation of the great Greek Mythology.
出处
《牡丹江师范学院学报（社会科学版）》
2011年第5期33-36,共4页
Journal of Mudanjiang Normal University(Social Sciences Edition)
关键词
《悲悼》
圣经
原型
原罪
救赎
Mourning Becomes Electra
The Bible
archetypal criticism
original sin
redemption
