摘要
唱法是歌者修习歌艺的规范与法则。佛法是佛子修佛悟道的规范与法则。看似井河无干的唱法与佛法,实则关系密切。本文将其并而考量,通过缜密地比较分析,认为佛法的核心完全适合唱法,唱法的原则与佛法圆融相通。进而提出从方法论层面借鉴佛法的原理探讨唱法,以促进歌唱艺术健康发展的主张。全文的主干由"唱法之困惑、佛法之根本、佛法与唱法"三大部分构成。
The singing way is the norms and laws for singers studied and practiced song art.The dharma is the norms and laws for buddhist realized the truth or philosophic theory of Nature.The writer held that the relationship between singing way and dharma,appearing to have nothing to do each other,actually close.By careful comparison of analysis,the papers proposed that the core of dharma fully suitable for singing way,and the principle of singing way as the same as the law of dharma.Thus it discussed the singing way with the dharma principle at the methodological level,to promote singing arts development.The text mainly consists of three major parts: "the confusion of singing way,root of dharma,and dharma with singing way".
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2011年第4期233-237,283,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
唱法
佛法
歌唱艺术
方法论
思考
singing way
dharma
singing art
methodology
thinking