摘要
李斯特(Franz Liszt,1811.10.22-1886.7.31)早年辉煌的钢琴演奏生涯使他产生钢琴是音乐世界小宇宙的钢琴观。他认为无论学习歌唱、长笛、巴松,还是其他乐器都应学习钢琴,这样会更有助于学生对本专业知识的掌握。在李斯特的晚年,音乐教育成为他音乐生活的主旋律,无论是在德国的魏玛还是在匈牙利的皇家音乐学院,他不但将这种钢琴观贯彻在钢琴大师班的教学里,而且还用这种观点主导了匈牙利第一所高等音乐教育院校———皇家音乐学院各学科的建设。时至今日,李斯特的钢琴观已成为匈牙利李斯特音乐大学的不朽之魂,无论是在匈牙利还是在国际乐坛上,都散发着沁人肺腑令人心驰神往的诱人魅力。
Franz Liszt's piano views that "The piano is the microcosm of music"formed in his youth during his brilliant career of playing piano.He thought that the piano was the microcosm of music,singers of both sexes,flautists and bassoonists and all of the other musical instrument students,had to learn the piano if they wanted to find their bearings intelligently in their own field.In Weimar and the Royal National Hungarian Academy of Music,his piano views were always carried out in his piano master classes,and as the first president the Royal Academy of Music in Hungary,Liszt' views have been influencing on the constructions of all non-piano majors of the Academy of Music,untill now.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2011年第4期297-303,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
李斯特日
匈牙利皇家音乐学院
李斯特音乐学院
李斯特音乐大学
李斯特钢琴大师班
小宇宙
Franz Liszt's Day
the Royal National Hungarian Academy of Music
the Franz Liszt Academy of Music
the Franz Liszt University of Music
the Piano Master Classes of Franz Liszt
the Microcosm